The pirates who print shoes

The marvellous Nick Cernis at Modern Nerd:

Printers jam. Printers clog. Printers demand that you curse them in ever-creative ways in order to function. Printers run out of photo magenta even when you’re printing in grayscale. Printers are not generally well-liked.

I hate printers, but I love Nick’s writing so you should go now and read this, his anti-ode to the humble and generally useless home printer. If you’re a writer and you don’t hate your printer, you’re probably not a writer. Or something like that.

24 January 2012

Behind the publishing curtain

Veronica Roth outlines the publishing process step-by-step and gives a much-deserved nod to the people that make it happen:

I think it’s important to put aside a somewhat romanticized view of book writing in which it’s just the author and the pages and sometimes the editor. And the reason I think it’s important is that there are so many people involved in this process – people who work so hard, and who are really indispensable.

It’s a fascinating and concise insight, especially if you’ve no idea how it all works. The thing I’d like to add to the paragraph quoted above is that yes, all those people do work very hard, but they are also very professional. They know exactly what they’re doing. And we know how important that is.

24 January 2012

George Angus on getting grammar right

From Tumblemoose:

I tend to be more forgiving to the average person screwing up a loose/lose proposition. Writers, however, do not get a free pass on this one. It’s like an accountant not knowing the difference between subtraction and division. It’s like a pilot not knowing the landing gear should be down for landing. And while the consequences of poor grammar cannot be equated to a pile of aluminum on the runway, in terms of professionalism and advancing a writing career the implications are the same.

The odd typo can be forgiven when you’re putting together a tweet or blog post. We’re all human and some of us have fat fingers. What? It’s true. No matter, George is spot on here. You can’t go around calling yourself a writer if you repeatedly make very simple mistakes.

You know what they say: make one mistake and you might have fat fingers, make it again and you’re probably just not very good at writing.

23 January 2012

5

How to sync Scrivener with any text editor (and go mobile too)

23 January 2012

I’ve just spent the last hour or so transferring all the bits and pieces of my second novel into Scrivener, the popular writing app for Mac and Windows.

This is not my first time using Scrivener. After hearing lots of great things, I first gave it a try early last year. In the end, I felt that using one app to do all of my writing didn’t quite fit with how I work. It seemed too restrictive

I like to make notes on the go with Simplenote and have it sync to all of my devices (laptop, iPad and iPhone). I also like the simplicity of using plain text files in apps like TextEdit or iA Writer, again with documents synced to all of my devices via Dropbox. For me, flexibility is really important.

Scrivener seemed fantastic for those who write in the same place and on the same computer, but not for someone who likes to move around a bit more. I now know that I was wrong, and that with a little setting up, Scrivener can be used alongside any text editor and in any location.

Using Scrivener with any text editor

At its heart, Scrivener is a word processor. It provides a blank page for writing on. But it has many other features too, which although very handy for some writers and might see them use Scrivener for every element of their writing, for me they can occasionally get in the way.

That’s why I wanted to find a way to separate the two elements of my work. I wanted a way to organise my novel, make notes and store research in Scrivener, but be able to use another writing app to do the actual writing.

This is completely possible. Scrivener has a fantastic sync feature, which I discovered via Dave Caolo’s excellent instructions on how to set up Scrivener to work with the iPad app, PlainText.

It works by taking your one giant .scriv file and separating all your Scrivener documents into separate files in a folder called ‘draft’. To set that up, your first task is to choose where on your hard drive you’d like that folder to go.

Use the menu as follows:

File > Sync > with External Folder

From there, you’ll see a dialog box and the option to choose a ‘Shared folder’. Do exactly that, making sure that you’ve got the option to ‘Sync the contents of the Draft folder’ selected. Once you’ve chosen your folder, hit ‘Sync’ and you should end up with a ‘draft’ folder full of text files in Rich Text Format (.rtf).

You should now be able to open and edit those files in any text editor on your computer, from Microsoft Word to Notepad on a Windows PC, Pages to Byword on a Mac.

However, note that when you next open Scrivener, your work will not sync automatically. To make sure that you’re working on the latest versions of your documents, you’ll need to repeat the process described above.

Head to:

File > Sync > with External Folder.

Hit ‘Sync’ again and all should be well.

Go mobile with Scrivener and Dropbox

You know all about Dropbox by now, right?

If not you should rectify that situation immediately. It’s a brilliant tool for any writer who wants to have their work available wherever they are across different computers and devices.

Dropbox works by creating a folder on your computer that syncs with the cloud. Because it’s so good, many other apps have implemented a ‘sync with Dropbox’ function to allow users to sync data between their desktop and mobile devices. And that’s exactly how you can use it to go mobile with Scrivener.

Essentially, you need to follow the same process as before. However, there are two very important differences.

First, instead of choosing to create your ‘draft’ folder in any old place on your hard drive, you need to put it somewhere within your Dropbox directory. Second, you should change the format of your synced files from .rtf to plain text (.txt), as it’s the simplest, most universal format and what most mobile apps use.

You can change to .txt from the same dialog box as before. It’s at the bottom under the ‘Format’ heading and ‘Format for external Draft files’. Choose the Plain Text (TXT) option and again, hit ‘Sync’.

This time you ‘draft’ folder’s contents will be synced to the cloud via Dropbox and the files will be in Plain Text format. All you need to do now is find a text editor on whatever mobile device or tablet that you happen to own that allows you to sync files with Dropbox.

My particular favourite is PlainText, which I use on both my iPhone and iPad. It works seamlessly and allows me to open, edit and save my Scrivener documents without any trouble at all. It’s like magic.

How I’ll work in the future

Using the methods described above, I intend to use Scrivener as the place where I organise my novel. I’ll keep everything in there and I’ll never have to spend hours trawling through Word documents again. It will be the font of all knowledge.

But I will also use other text editors when it comes to the writing itself, which means I will hopefully avoid the temptation to tinker with Scrivener’s many settings and lose myself in research when I should be writing. Best of all, I’ll be able to make notes and continue working when I’m not at my laptop.

I’m really impressed with what Scrivener can do and now I’ve found its capacity to sync and be mobile, it may well become my very best writing friend.

Matt Gemmell on iBooks Author for authors

Matt Gemmell making one of a number of excellent points about iBooks Author and what it means for writers:

Naturally, once your text is in iBooks Author, you’re essentially writing and editing within a page-layout application, rather than a word processor or text editor. As with any publishing workflow, you will want to do the writing and editing first, and then put the book together (as much as possible). iBooks Author is resolutely not a writing environment.

Essential reading, folks. Hop to it.

19 January 2012

4

iBooks Author changes a lot, but not everything

19 January 2012

Apple has just announced iBooks Author for Mac amidst a whole host of other announcements destined to further shake up the publishing industry.

iBooks Author gives the everyday you and me a simple, drag and drop interface with which we can create multimedia, multitouch books. That’s books without an ‘e’. Apple has decided that it’s time for the ‘e’ to go. Books are books, however you read them.

Anyway, this launch is incredibly exciting, especially for people who want to self-publish their work. I want to publish my novel traditionally, but I can also see lots of ways that I might produce and publish content using iBooks Author, especially the sort of stuff I already produce and publish here on Write for Your Life.

The technology may be moving forward and the old publishing industry may be falling further and further behind, but there’s still one thing that I want you to remember in all of this excitement: be professional.

Self-publishing has previously suffered because many authors put their work out in a hurry. Whether through lack of knowledge or not having the finances, too many people publish work without getting it edited and designed by someone who knows what they’re doing.

In recent years, this has been changing. More and more self-publishers are investing time and money in making sure that their work is polished and professional. This is a good thing and long may it continue.

What iBooks Author presents is a way to produce a professional-looking book using a pre-defined template, which means the author doesn’t have to pay a designer to do it for them. But being a designer is a real thing. It’s a profession. To become one takes years of training and experience.

All I’m saying is this.

Please, do take a look at iBooks Author and feel free to use it to publish your work. Seriously, it looks fantastic. Just don’t forget to be professional. Don’t think of it as an easy option and if you can, hire someone who knows what they’re doing. Or at the very least, get them to check it before you share it with the world.

Essentially: always present your writing in the best way possible.

TMS broadcast to the world via iPad

Test Match Special, known affectionately as TMS, is a national treasure in England. Since 1957, it’s provided ball-by-ball commentary from around the world, following and reporting on the fortunes of our national cricket team. TMS is a unique, eccentric, expertly crafted programme that’s loved and listened to by millions of people. And today, during three hours of radio wave blackout in Dubai, it was broadcast around the globe via nothing but an iPad and Skype. By a bunch of old blokes. Now that’s incredible.

Update: Article with some fantastic quotes on the Guardian.

19 January 2012

Winners announced for first annual Tibor Jones South Asia Prize

From the Tibor Jones website:

Rohit Manchanda and Srikumar Sen are today announced the joint winners of the Tibor Jones South Asia Prize 2012 for their unpublished manuscripts, respectively, A Place in Mind and The Skinning Tree.

18 January 2012

Sheffield’s Lantern Theatre in pictures

The Lantern Theatre is turning professional for the first time in its 118 years. It’s a Sheffield treasure and less than 50 metres away from where I work. It also happens to be where we’re holding our one-off, Words Aloud reunion event later this year. The link is to some brilliant images of the Lantern posted on the BBC website.

(via @ourfaveplaces)

16 January 2012

Fiction Uncovered’s list of 2011′s most unjustly neglected books

Another reading list for you to get your teeth into this year. May I note that Edward Hogan is on there, ex-football team team-mate and all-round good egg. And Rachel Genn’s novel, The Cure, who was on my MA Writing course with me at Hallam. Buy and read them both.

16 January 2012

Ian Rankin wants tax incentives to help new authors

In a piece from The Guardian:

“The internet has plusses and minuses. Its easier than ever to get your stuff seen by people. But its harder than ever to make a living from it. Look at the money that publishers are paying for new writers … less than they paid 20 years ago. They know first novels dont sell many copies and, if writers decide… to sidestep the traditional publishing route and sell their stuff by themselves online, they’re having to sell it for virtually nothing – 99p.”

Many writers have managed to make a good living from selling their work for practically nothing, but the vast majority both have not and will not. What I want is for people to stop selling writers unlikely dreams and to start helping them build a career. More thoughts to come in a future blog post.

16 January 2012

Philip Pullman calls time on the present tense

Philip Pullman writing for The Guardian:

I want all the young present-tense storytellers (the old ones have won prizes and are incorrigible) to allow themselves to stand back and show me a wider temporal perspective. I want them to feel able to say what happened, what usually happened, what sometimes happened, what had happened before something else happened, what might happen later, what actually did happen later, and so on: to use the full range of English tenses.

And I want him to stop talking pompous, patronising nonsense.

16 January 2012

How to write a book

A lovely post by Meg Rosoff:

For your first book, have no idea whatsoever until the very last minute, then sit down and write it effortlessly in three months (before, during and after work, and after your small child has gone to bed). Do very few revisions. This book will be a bestseller.

Very little of that sounds familiar.

(via Jessica Stanley)

13 January 2012

Proposed Somerset library cuts cancelled

This is fantastic news and in no small part down to the tireless campaigning of authors in the South West of England, which happen to include my marvellous mother-in-law, Kathryn White.

12 January 2012

Waterstones ditches apostrophe

The most upsetting thing about this story in the Telegraph is the paper’s decision to use a picture of Cheryl Cole as its lead image. That’s Cheryl Cole. The ex-X Factor judge. Not an author and certainly not James Daunt, the bookseller’s new Chief of Everything. But Cheryl Cole.

Honestly. This country.

12 January 2012

A nice productivity tip: work backwards

From the Zurb blog:

Scribbling down a lofty goal on the top of your task list that says build an awesome app that translates any language into Klingon is a "sure way to make sure it never gets done," says Inc. By working backwards, says the article, you can slice the work up into smaller, more manageable bits. That’s something we already do as part of our design process. We call it timeboxing, which forces us to limit what we’re doing by how much time we actually have.

The same theory applies to writing and I’ve talked about it before, only I called it chunking. If your goal is to ‘write a novel’, you’re asking for trouble. It’s such a huge task that it’s impossible to visualise what it might look and feel like to complete. Instead, break the larger task into more imaginable, practical pieces and take them on one at a time.

12 January 2012

How to self-publish so it benefits readers?

Chuck Wendig at Terrible Minds:

Stop treating self-publishing work like it’ll have to be “good enough.” Be the best, by gum, by golly.

That’s one sentence from a whole host of great sentences in Wendig’s post. It also echoes my own thoughts on, well, not just self-publishing, but writing in general. It’s why I don’t think you can write a decent book in seven weeks, for example. I’m not saying that your work has to be perfect every time, just don’t put anything into the ether unless you’re proud to stand next to it, point and say, ‘Look, I did that.’

12 January 2012

An introduction to PressBooks

PressBooks is a new service built on WordPress and designed to make it simple for authors to create e-books in all the main file formats.

Hugh McGuire is one of the founders and was interviewed by WPMU.org:

But, generally we believe it should be as easy for writers and publishers to make and distribute a beautiful book (ebook or print) as it is for them to make a beautiful website.

Head over and read the full interview. It looks like a neat solution for those of you who want to make sure your work is presented well when you self-publish or create e-versions of your work.

Visit the PressBooks site here.

11 January 2012

Why all copywriters should tweet

From the Nextness blog:

But I’ve been adamant for a while that Twitter can be a great discipline for a writer. Seemingly random observations, off the cuff remarks, and even the occasional bit of astute commentary, can all be very good practice for the craft of copywriting.

All true and an excellent article. A copywriter’s lot is almost always to edit and reduce copy. We rarely get asked to write more. Twitter’s 140 character limit provides splendid practice.

9 January 2012

‘The internet’s largest list of similes’

This looks like good fun. Although do remember my fellow writers, you should probably think of your own similes where possible. Otherwise, it’s kind of cheating. Smiley face with a wink.

8 January 2012