1

Happy birthday, merry Christmas and a look forward to 2011

24 December 2010

Watch this episode on Vimeo

Well here we are – the final post on Write for Your Life for 2010. It just so happens the site also turned two earlier this week, so this episode seems like a good opportunity to stop, say thank you to all you wonderful people and look ahead at what’s in store for next year.

And time permitting, there is plenty to come in 2011. From a unique membership scheme where you can get lovely goodies, help keep the blog going and raise money for charity at the same time, to a new Write for Your Life shop stocked with writerly treats. And then there’s the online conferences, of course.

Whatever happens, I know it’s going to be busy. And I know 2010 has been a blast. Thank you for reading, watching and listening this last 12 months and see you on the other side.

Love and baubles

Iain

Share your thoughts

If you watch the video, you might find yourself intrigued by what’s in store and want to get involved, especially if you have a product or something awesome to promote. Feel free to ask questions in the comments below or contact me directly.

Subscribe for free

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

29

10 tricks to help you feel like a writer

16 December 2010

We don’t feature many list posts here on Write for Your Life, but once you start being silly about a subject, it’s very difficult to find any order for that silliness without the use of a list.

I recently talked about being a healthy writer and, more specifically, about not being a martyr. That is, don’t run yourself into the ground because you think that doing so is simply part of being a writer. It’s not – it’s just one of those writing stereotypes.

There are many writing stereotypes and the majority are what people turn to when they want to feel like a writer. Because being a writer is cool, you know? People are impressed by writers. Everyone wants to be one.

So yeah, this list is for writers-who-are-probably-not-writers-really. But I know that doesn’t apply to you, right? You’re a real writer. You write all the time.

Unfortunately, even us real writers need to feel writerly from time to time. We can be a rather needy bunch, after all.

So if you, like me, find any of the following familiar, don’t worry. Don’t panic. You’re not on your own.

The list!

1. Candles, candles, candles

Ahh, candles. Candlelight. The romance of the writer. How can we possibly put together any sentence of substance without the aid of scent-based, flame-oriented low lighting? If in doubt, get the candles out.

2. Tell someone you’re a writer

If you’re starting to question your ability to put pen to paper or fingers to keyboard, or if you’re so wrought with anxiety over your latest writing project that you’re thinking of giving it all up and trying manual labour, just tell someone you’re a writer. They will ask you about your writing. You will tell them. You will feel superior. I mean better.

3. Correct someone’s spelling

If you really want to feel like a writer, don’t wait for someone to ask you how to spell something, which they inevitably will because you’re the wordy one. Just get stuck in and correct them. Show them your mastery of language. Thrive on how much it irritates them. You’ll feel like a writer. That’s the main thing.

4. Lie about having read a book

Writers talk about books all the time. It kind of makes sense. We say, ‘Oh yes, I thought it was fantastic,’ and ‘Actually, I particularly liked the opening.’ You know. That kind of thing. But how many times have you said you’ve read a book when you haven’t because hey, you’re a writer, you’re supposed to have read everything? Come on. It’s more than that.

5. Try every piece of writing software you can get your hands on

This is a reasonably modern trick to help you feel like a writer. There are so many writing applications available these days that you can spend days deciding which one is exactly right for your unique writing needs. Then you can tell other people how great it is and feel like all those wasted hours were worth it. You know your software. Of course you’re a writer.

6. Wear a suitably writerly hat

All good writers accessorise. And nothing will make you feel more like a writer than donning a special writer’s hat. You never know, if that novel sells well, maybe the hat can be your thing. We all need a thing, right? Of course we do.

7. Go to an open-mic spoken word night with a five-minute limit, then read your own work for 20 minutes

That’s what real writers do. We don’t need rules or limitations on our work. We’re artists, after all. And why would the audience want a Big Mac when they can have the gourmet meal that is your 20-minute epic poem loosely inspired by the death of your dog or impending divorce?

8. Create a nom de plume

Even if you never have any intention of writing under a different name, I bet you’ve spent at least a little time thinking about what that name might be. And I bet you enjoyed it, didn’t you? You felt like a writer. Don’t be ashamed. It’s fine.

9. Buy a domain name that’s your own name

If you really want to feel like a writer, you’re going to need a website. It’s all about building a platform, these days, right? Go to your nearest domain registration site right away, search for yourname.com and snap it up as soon as possible. If your name is taken by someone else, it’s all over. Stop writing immediately.

10. Set up a blog and start offering writing advice

This is the ultimate trick. If you’re telling other people how to feel like a writer, you’re definitely a writer, and a brilliant one at that. Handsome, too.

Image: echiner1

Share your thoughts

Do you find yourself needing to feel like a writer from time to time? Maybe you’re so full of confidence and gusto that it all comes naturally to you? Either way, let us know and give us more examples in the comments!

Subscribe for free

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your email inbox? Or if you’d prefer updates via your RSS reader, that’s totally cool beans too.

8

Come out of your writer's cave and keep in touch with reality

13 December 2010

Watch this episode on Vimeo

We writers have a habit of going all ‘solitary confinement’ every once in a while. We hole ourselves up in our writing caves, laptop at the ready with enough tea or coffee to last us that particular day, week, month or year.

It’s another unhealthy writing stereotype, I’m afraid. Quite often, we don’t need to shut ourselves off from the world. In fact, in almost all cases, the more we can keep in touch, the better off we are. That goes for the quality of our writing too.

In this episode I talk about why I think it’s important that writers make sure they come out of their caves on a regular basis.

As always, it’s as much a note to self as anything else. We all throw ourselves a little too hard at our writing, from time to time, and I’m no different.

It’s also worth mentioning that this was the second take of this episode. The first saw me interrupted, and then later attacked by a cat.

Share your thoughts

Do you like to shut yourself away from the world, but forget to come up for air? Or maybe you’ve developed a routine that allows you to keep in touch with reality while still getting your work done? Let us know in the comments!

Subscribe for free

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

13

A healthy writer leads to healthy writing

9 December 2010

Watch this episode on Vimeo

I’ve been feeling rather sick this week with a particularly terrible bout of gentlemen’s influenza. And it got me thinking about a post called Self-care and Being Humble by Rachelle Gardner, which I bookmarked a while ago. It’s a great post. You should read it.

Anyway, in this episode I take her thoughts, add them to my own and then relate it to the proverbial us, we writers of the world. Because if you’re anything like me, there’ll have been times many where you’ve put your health at risk for the sake of your writing.

Of course, I’m not talking about taking notes on a motorway or entering a war zone in the name of research. I’m referring to those marathon, break-less writing sessions and those all-nighters in front of the screen. The things that we writers often seem to think are just, you know, things we have to do.

Well we don’t. And we shouldn’t. So there you go.

Share your thoughts

Are you the sort of writer who likes to stay up all night to get your work done? Do you think you work best when you’re mentally and physically flogging yourself with your work? Or are you all, like, chilled out about the whole darned thing? Let us know. Comments. Below.

Subscribe for free

If you’€™re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your email inbox? Or if you’€™d prefer updates via your RSS reader, that’€™s totally cool beans too.

22

Start searching if you want to find your writing voice

30 November 2010

Voice. Voice, voice, voice. The holy Grail for every budding writer.

We all set out on our writing journey desperately seeking that indefinable… thing. That special something that makes our creative work distinctly ours and ours alone. Our voice.

Sadly, not everyone finds their writing voice. That’s why so many people either give up searching or hit a wall with their writing. It’s also why so much writing tends to ‘sound like such and such’, because it’s easier to imitate than it is to speak in a voice of our own design.

That word is really important: design. At its heart, design means to make a creative decision. To create something both on and with purpose.

All writers are aware of the concept of voice, but far too many ignore the first part of that often used phrase: ‘to find your voice’. They either think that it’s inherent in the very act of them writing, or they don’t actively search.

And if you don’t look for something, you very rarely find it.

It’s only natural

So where can we find our voice? Many people think it comes from within, that it’s something we all have, we just need to ease it out and on to the page.

There’s some truth to that. Certainly, you’re writing will be influenced by how you live, think and approach your life.

But I want to go back to that word design for a second. I want you to think about voice as a more, I don’t know, a more flexible thing. Something that you can control. Something that you can make a creative decision about.

A bit about me

I got my first job in writing seven years ago, editing a university’s various prospectuses.

As part of my interview, I had to take a 100 word passage and half it without losing the meaning or message. I did it, got the job and spent the next three years doing much the same on a daily basis.

The job was repetitive, if not a little boring after a while, but it was also a revelation. It taught me how to edit and it helped me find my voice – both as a copywriter and in my fiction.

Actually, that’s wrong. More accurately, it helped me make a conscious decision about what I wanted my voice to be.

As a result, I can split my writing into two time periods. There is pre-that-decision, when I produced good, but slightly meandering work. And there is post-that-decision, when I became a fierce editor, an economist with words.

I made a choice about my writing. I saw where I was and where I wanted to be. And then I sought out my voice. I made a conscious effort to find it.

An assignment

So what I’m saying is, don’t sit around and wait for your voice to fins you, actively seek it out. Experiment with style. Writer shorter sentences. Or longer, perhaps. Just find the time to play with language.

Here’s a small writing assignment to get you started. Describe what you think your current voice is in five bullet points. Think about the way you write, including your approach, process and style.

Don’t think too hard. Just make sure you’re honest.

When you’ve finished, make another list. This time describe what you think you would like your voice to be. Think carefully about the words you choose. Be technical, if you want. Or emotional. It’s up to you.

You may find that some items appear on both lists and that would make sense. When writers find their voice it’s never usually a complete shift in technique, more refinement and thoughtful adjustment.

The important thing is to actually look for your voice. Don’t wait for it to one day burst from your fingertips and on to the screen. Writing, like design, is about decisions. Be prepared to make some.

Image: mdanys

Further reading

I’m primarily thinking about voice when writing fiction in this article, but the gist of what I’m saying applies to all forms of scribbling. Here are some other articles on the same subject. Make sure you come back.

Share your thoughts

Are you looking for your writing voice or have you already found it? Do you think I’m wrong about this going out and looking for it thing? How did you get on with the assignment? Let us know in the comments below!

Subscribe for free

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your email inbox? Or if you’d prefer updates via your RSS reader, that’s totally cool beans too.

7

Top blogs for writers that I'm reading right now

19 November 2010

Watch this episode on Vimeo

The annual top 10 blogs for writers contest is taking place at the moment, which is marvellous, but rather than talk about why you should vote for this blog, I’m going to point you towards three others that I’m currently reading and enjoying tremendously.

As I say in the clip, theses annual awards are extremely handy and usually provide a list of smashing blogs. But everyone’s top ten is different and the truth is, there can never be a definitive list. We all want different things from our writing-related reading material.

But please, please, please don’t think I’m having a go at the awards or that there’s an ulterior motive. As I say in the clip, the 2008 list was really valuable and helped me when I set up Write for Your Life. I guess I just don’t feel very comfortable writing a post specifically to tell you to tell someone else how awesome we are.

The top blogs I’m reading etc…

First up I’d like to point you to Bubblecow. It’s a great blog for writers, particularly fiction folk who want to learn more about the publishing industry and what it takes to get your work noticed. Practical advice. Nice people. Lovely stuff.

Second, Booktwo.org run by James Bridle. James is something of an expert on technology and the publishing industry and speaks at events all over the world. His blog is a treat and hugely interesting, as are the links he provides to articles elsewhere. Go looksee.

Finally, the wonderful First Today, Then Tomorrow by Randy Murray. Not always writing-related, but consistently thought provoking, this is a great blog updated daily. Randy’s writing assignments are fantastic. Hugely recommended.

And that’s it. Of course, I’m reading lots of other blogs at the moment too (many not writing-related actually), but they’re the three I want you to visit and get an eyeful of right now. Watch the episode for more detail!

Subscribe for free!

If you’™re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your email inbox? Or if you’d prefer updates via your RSS reader, that’s totally cool beans too.

21

Whatever you do, don’t be a needy writer

17 November 2010

shirt.jpg

Before I crack on with this post, I should probably get one thing clear. This is as much a note to self as it is advice or comment. We can all be needy writers from time to time and I’m no different. But that doesn’t make it right.

First, let me explain what I mean when I talk about being needy.

Needy is that craving for attention that you often get as a writer. It’s that feeling that becomes aroused after spending hours, days, weeks, months or even years on a writing project and finally deciding to show it to the world.

It’s what happens when you want recognition.

What’s the problem?

Hey, what’s wrong with a little love when I’ve worked so hard? Why shouldn’t I expect a pat on the back? It took me ages! I deserve it!

See. You even sound needy when you’re arguing that it’s okay to sound needy.

The problem is, you’re likely to be at your neediest when you’re asking for feedback. It’s when you’re vulnerable because your writing fate is handed over to someone else. All you want is a positive response. It’s nerve-wracking.

And that’s the point at which you must also remain cool. You need to be the coolest you’ve ever been, like an eskimo’s nipples or the Fonz. You must retain your objectivity. Avoid getting giddy.

If you don’t stay cool, you’ll get nothing from the feedback. You’ll be so worried about whether you’re good enough that you’ll interpret every hesitation and every trace of red ink as some huge disaster. Any positives that come your way will drown in your stinky sea of self pity.

You’ll behave, dear readers, like a bit of a tit. And that’s no good. It never is.

What’s the solution?

The obvious remedy to needy-writer-syndrome is to somehow find a position on your carpet that allows you to quietly, privately get over yourself. But that’s easy to say and rather difficult and painful to do.

However, one thing you must always remember is that most writers feel just like you do. Many will be feeling the same way at exactly the same time, wherever they are in the world. Being a needy writer is normal.

But you should try to fight it. If you’ve reached a point with whatever you’re doing where you want to ask someone for feedback, then ask them for feedback and expect feedback.

Now that’s a lot of feedbacks, but the point is this. You have to accept the rough with the smooth. You’re asking someone for an opinion on your work, not confirmation that you’re as brilliant as you certainly hope you are.

Don’t be needy. Be cool and improve your writing.

Image: sirexkat

Share your thoughts

Are you a needy writer or are you kool like the proverbial kukumber? Is it easy to stay objective or inevitable that your emotions will run wild? Get talking in the comments section below!

Subscribe for free!

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

13

Speak up and be a brave writer

11 November 2010

Watch this episode on Vimeo

Yesterday I took part in a Dragon’s Den style pitching competition on behalf of The Workshop, the creative agency kind enough to employ me as a copywriter. The event was hosted by Clear Channel and you can see me in action here (3:31:32), if you’re interested.

The point is, the experience was quite nerve-wracking. Not in a terrible way, but in that butterflies-stomach-want-to-vomit kind of a way that you get before speaking in front of lots of people. Mild terror can happen to the best of us.

In fact, mild terror usually happens to us everyone at some point, especially writers who are anxious about reading their work in public or even talking about their writing in front of others.

That’s what this episode is about. I want to encourage you, however daunting it may seem, to stand up, be brave and learn to speak up about your creative work. Like all things, it gets better the more you do it (feel free to snigger childishly).

Share your thoughts

So how are you at speaking in public? Do you like to talk about your writing or does the very thought fill you with terror? Ever had a panic attack at a spoken word night? We want to know – share your thoughts via the comments below.

Subscribe for free!

Why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

23

#5: The iPad for writers: how it feels, why I recommend it and the applications I use

2 November 2010

Listen to or download the podcast
Subscribe to the podcast in iTunes

In this podcast I talk about what it’s like to write with an iPad. It’s not a review by any stretch, more a writer’s eye view of using this new and exciting piece of technology.

And it is exciting, you know. Most of the talk at the moment is about the e-revolution in the publishing industry and the effect of the iPad (and more so the Kindle, actually) on how people read books.

But I want to look at what the iPad means for writers. Most people initially saw it as a device for consumption, but I always thought that there had to be more to it than that.

As I said in a recent piece I did for Shawn Blanc, all you need is a blank screen and a keyboard. I believe that’s what the iPad provides and more.

So do have a listen and let me know what you think. I’ve split the podcast up into three sections to try and help you navigate my ramblings:

  1. What’s it physically like to write with an iPad?
  2. What are the main benefits of using an iPad?
  3. What applications do I use?

On a techno-note, there seems to be a small gap in audio two thirds in. It only last a second or two, but many apologies. My mistake I’m afraid – I’m much better at editing words than audio!

Links, links, links

I refer to a number of things in this podcast, including applications that have been described and reviewed extremely well elsewhere. Here’s some links to help you make your iPad-related decisions.

Apps and accessories

Compass from Twelve South
Simplenote
PlainText
DropBox

Articles

iPad apps for writers
All you need is Simplenote
PlainText is my preferred iPad text editor
The Ultimate Dropbox Toolkit & Guide

Share your thoughts

Are you a writer who uses an iPad for, you know, writing on? Maybe you’re iPad-curious and want to know more about it? Perhaps your anti-iPad! All comments and questions welcome in the comments section below.

Subscribe for free!

If you like what you’ve read, heard or seen so far on Write for Your Life, why not subscribe and get free updates delivered straight to your inbox? Or you can get stuck into the RSS feed instead!

53

The best writing comes from the head, not the heart

26 October 2010

Allow me to mount my high horse for a moment. I’ve found something to rant about.

Since I started Write for Your Life and began blogging coming up to two years ago, I’ve found myself delighted and exasperated in equal measure. Delighted at the amount of writers working together and sharing their experience online, exasperated at the frequent peddling of utter nonsense that only serves to misguide people.

The fact is, anyone can set up a blog and start offering advice to others. But if you do, you have to accept that it comes with a certain responsibility, especially if you manage to collect an audience. People read and act on your words. You have to make sure that they stand up.

The troublesome tweet

That said, the thing that got my goat and prompted this article wasn’t a blog post, it was a message posted on Twitter. I’m not going to say who by or anything like that, because I’ve seen similar messages almost daily since I started using the service. It’s a general problem.

Here’s what it said:

The best writing comes from the heart. Don’t think too hard before you write it.

Now there’s a chance that you might read that and think, what’s the problem? People often write about their feelings and writing is a good outlet for matters of the heart.

But read it again. Think about it as a piece of advice given to a writer just starting out, someone who has little experience and is looking for guidance that might affect significant decisions in their life.

Not only is it wishy-washy and void of any practical use, it’s simply plain wrong.

Use your head

Howard Jacobsen won the Man Booker Prize recently for his novel, The Finkler Question. Do we honestly believe that he ‘didn’t think too hard’ before he started writing?

Of course not. The best writing, any writing of substance, comes from an author’s ability to think carefully and critically about what they’re doing and what they want to achieve.

No successful author sits down at their laptop and starts typing without any thought as to what might result from doing so.

Even those writers who don’t have their work mapped out will have some sense of direction. They will think before they type and approach their work objectively.

Let’s lose the myths

The problem I have with all of this is that statements like the one above give new writers an entirely inaccurate impression of what it takes to be a great writer. More than that, it has the potential to stop them improving at all.

The best writing come not from the heart, but from research, practice and a willingness to learn from experience. The one thing writers absolutely need to do is think. And think hard.

Don’t get me wrong, I know where this talk of the heart comes from. It’s meant to encourage writers to let go and express themselves – their thoughts, their feelings.

But I don’t buy it. It’s just another example of the tired romanticisation of what it is to be ‘a writer’.

Because much like it’s a myth that our creativity comes from some proverbial muse, it’s also a myth that all writers need to do is find a keyboard and pour their heart out.

It never, ever works like that. There is always further processing. There is always thought. Saying otherwise is disingenuous, misleading and potentially harmful to new writers who are just starting out.

And with that, I dismount.

Image: Alex E. Proimos

Share your thoughts

So what do you think? Am I right about needing to provide clear, practical advise or should writers be encouraged to get cracking no matter what? Let me know in the comments!

Subscribe for free!

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

14

Quality over quantity when it comes to practising your writing

22 October 2010

What this episode on Vimeo

This episode came about after reading a nice article by the designer, Frank Chimero, where he talks about the need to write regularly as part of a practice routine.

I agree mostly, but I also think that quality is more important than quantity. For me, it’s about the bits inbetween periods of writing that are important. Because that’s where you get to analyse what you’ve done and make changes.

I first responded to Frank’s article over at my personal blog, Broomeshtick, which led to the wonderfully named ‘tugs’ leaving a comment that pointed me towards another article on a blog called Lynda Teaches Art. It’s about drawing, but the message is similar to mine.

Finally, another response got me pondering even more. It really is that quality of thought that helps us practise and improve as writers, and we can do that by analysing and giving feedback on the work of others, as well as our own.

So there you go – watch away and see what you think!

Share your thoughts

We all have different ways of working and practising our writing and I’d be very interested to know what you go for. Am I right to think that it should be quality over quantity? Let me know in the comments section below.

Subscribe for free!

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

27

10 typical questions from writers (that are really just fear in disguise)

12 October 2010

Guest post by Emma Newman

I’ve been writing for many years now. It’s the first thing I think about in the morning, and if I don’t get my daily fix, I’m just hell to live with.

I’m ready to acknowledge my addiction. Oh, hang on, this isn’t the right place for that. Sorry. Suffice to say that my debut novel is at the ARC stage and I am waiting for a launch date from my publisher.

I wrote the first draft of 20 Years Later nearly five years ago, and I started blogging almost two years ago, just as I was trying to decide whether to self-publish or not.

So the (awful) process and subsequent joy of finding a publisher has been written about over at my place for some time now. As a result, I’ve received emails and had Twitter conversations with aspiring writers since I got my publishing deal.

I am not an expert on getting published or even the publishing industry as a whole. I’m a writer who got lucky, and someone who (like most human beings) likes to notice patterns.

In fact the only thing I would say I’m an expert at is making a nice cup of tea.

I used to look for answers to all of these questions myself at varying stages of my writing life, so it’s not intended to ridicule – just to point out that asking these questions are actually very clever ways to avoid doing what you need to do first.

Trying to write the first novel can be overwhelming, bewildering and frustrating. If that sounds like where you are, then read on.

1. How many words should my novel be?

This one, in various guises has come up on Twitter a lot. And in every case, it was asked by someone who hasn’t yet written a book (but really wants to).

Yes, there is some merit in looking at word count once the book is finished, but if it’s your first novel, just writing the damn thing is more important.

The first draft of 20 Years Later nudged 70,000 words. But that was only because I had ended it in the wrong place – and that only became apparent two drafts and several beta readers later. Now it’s approximately 95,000 words – but that doesn’t mean that modern YA books should be the same.

In my humble opinion, the book should be as long as the story demands. Look at Perdido Street Station or Shogun. Both long, both lean and fantastically told.

If it’s 100,000 words and flabby as hell (a certain teen vampire bestseller springs to mind) it should be edited down (and why that one wasn’t I will never understand).

But having an arbitrary word count fixed in your head first seems backwards to me. How do you know how many words it will need until they’ve been written?

2. I have a great idea for a story, how do I find an agent?

Don’t even go there. An idea is not a book. A first draft isn’t even a book.

Having an idea and looking for an agent is like finding out where to sign up for the London marathon when you’ve never even run for a bus.

An idea and the bringing of that idea into the world are very, very different things.

3. I’ve written four chapters now, can you advise me on how I write a query?

See number two. So many agents aren’t interested if it’s your first novel and isn’t more polished than a clumsy child’s single sports trophy.

You’ve a long way to go, and besides, you may not be able to finish it. Or you may realise it’s actually a very different story that you want to write, and thus far it’s been excavation work.

What if you sold the book then realised this afterwards? That’s a one way ticket to Stressville, Idaho I reckon.

4. Is there a market for… (insert genre)?

You’re asking me? I took me four years to get a publisher. It’s my first book. When I wrote it, everyone was looking for the next Harry Potter. This is the first year that I’ve heard of Dystopian YA being ‘hot’ and the books that people are touting as ‘hot’ now were first written years ago.

No-one knows really. Especially not me. And there is no way of knowing what will be popular in a year or two’s time, which is when your book would be coming out if traditionally published.

5. I have so many ideas, I don’t have writer’s block. I just can’t decide which one to write. What should I do?

Actually, I think you do have writers block. Having ideas is not writing a novel. If none of them are reaching the page, then you need to work on the reason why.

That’s what I did. It took many, many years too, so don’t feel bad if it takes a long time. The Artist’s Way by Julia Cameron helped me, but there are lots of other books out there.

What it all comes down to is writing one word after another, and a lot of bravery to face the fear that is stopping you from writing.

If you don’t think the avoidance behaviour comes from fear, I would say you are probably wrong, but who am I to know that?

6. Should I write a certain amount of words every day? How many?

This is impossible for anyone to answer but yourself. When I was clawing my way out of a ten year writing block, I read everything I could get my aching fingers on to see how other authors wrote novels. And what did it do? Absolutely nothing.

Oh, it made me feel inadequate, guilty, confused (they all have different systems!) and afraid. Only halfway through writing my second novel did I stumble upon the best process for myself, and that is all it is – the best for me.

It may be that you need something completely different, and the only way you’re going to find out is by, yes, you guessed it, writing and a healthy dose of experimentation with routine, word counts etc.

In case you’re wondering, I write before I do any other work, and don’t stop until I hit 1000 words minimum. As for the whole “shall I outline or just write by the seat of my pants” debate, I wrote about my version of it here, if you’re interested. I often go over that 1000 words and have to force myself to do the work that pays the mortgage.

One day, I hope, they will be one and the same.

Your daily ideal may be 250 words, or you may prefer a time based goal. You may only write well on Sundays after chocolate ice cream.

The only person who can discover that is you.

7. How much money will I earn?

If you’re thinking about that before you’ve written the book, don’t go into fiction writing. You could fit the number of debut authors that pay their mortgage with the income from their first novel into a small dining room in Devon.

Really, don’t write for money. Write because you feel like you might die if that story doesn’t get out of your brain.

8. How long will it take to get an agent/publisher if I start sending queries now?

Blimey. That is impossible to answer, aside from saying it will be twice as long as you think and more agonising than you can imagine.

Cheery, huh?

9. Do I have to write the full book before I try to get an agent?

Yes. See answer to question 3. Don’t even think about agents until that book is complete, gleaming and even then you might not get one anyway.

I didn’t manage to bag an agent, but have a publisher now. And I was a sneeze and a ‘bless you’ from just ignoring them all anyway and going it alone (which I did for my short story anthology after my novel got picked up.)

Write the book first. Then worry about what to do with it.

10. Which writing software do you use and recommend?

I only use Microsoft Word and it irritates the hell out of me. I’m still figuring out the best way to track what I’ve written, and am nearing a workable solution with a clumsy combination of Word, a spreadsheet and post-it notes.

You’d think, seeing as I am now writing my third novel, that I would have found something else – Scrivener or the like – but I’m so fixated on the words, I can’t be bothered to re-learn a new piece of software just to get them out of my head.

Asking before writing the novel may be good forward thinking, but it may also be a distraction tactic, akin to salivating over running shoes before dragging yourself once around the block.

What does it all mean?

No prizes for seeing the message here. Write the book first. Don’t trawl the web looking for help or advice on getting published until the second draft (at least) is done.

Every minute spent trawling the web trying to answer these questions is a minute spent avoiding that terror of writing something that you burn to tell, but know will suck. And it will. That’s what first drafts are for. And the answers to all those questions won’t make it any easier. You writing your first book will.

Good luck, and I’ll see you on the other side.

Image: Jordan Pérez Órdenes

Share your thoughts

Do you recognise some of these questions? Have you asked them yourself or are there some missing from the list? Tell us what you think or fire away in the comments section!

Subscribe for free!

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

3

#4: Glassesgate, green publishing and defending literary agents

7 October 2010

Listen to or download the podcast
Subscribe to the podcast in iTunes

In this episode

Hooray – the podcast is back! With Manuela away on business, I decided to take to the mic and record a short podcast about what’s been going on in the publishing industry and stuff like that.

I start with the incredible scenes at Jonathan Franzen’s book launch, where some crafty punter pinched his specs and ran like the wind. All very amusing, but was the coverage of the incident a bit much?

Then I move on to e-readers and whether they are more environmentally friendly than good ol’ printed books. I make a comparison with the evolution of the iPod, with the help of this great article by Leo Hickman in the Guardian.

Finally, armed with the words of Philip Goldberg writing in The Huffington Post, I defend the role of literary agents, editors and other publishing types who have a hand in getting a book to print.

Techno-notes

Unbelievably, I recorded this whole thing with all my fancy equipment only to find that I hadn’t plugged it in to the computer. What. A. Nit.

The good news is my computer’s microphone still picked up my ramblings. The bad news is the sound quality is nowhere near as good as it would have been with ALL MY FANCY EQUIPMENT.

Pah. Sorry.

Share your thoughts

I’d really like your feedback on this one. Not just the things I talk about in the podcast, but also the format of the podcast itself. Would you mind the odd solo format or should I wait until someone’s there to stop me saying ‘sort of’ and ‘you know’ all the time.

Let me know in the comments below!

Subscribe for free!

If you like what you’ve read, heard or seen so far on Write for Your Life, why not subscribe and get free updates delivered straight to your inbox? Or you can get stuck into the RSS feed instead!

18

Using smell to improve your fiction

6 October 2010

Guest post by Icy Sedgwick

I was leaving my building this morning when I caught a strong whiff of something.

I couldn’t identify the mystery smell but it provoked a rather unpleasant memory of a particularly rotten individual whom I wish I never had the misfortune to meet.

Still, every cloud has a tarnished lining, and it got me thinking…how often do writers include smell in the composition of a scene?

Visual description

Plenty of descriptive passages begin with “He/she/it/I saw” or “He/she/I heard”, before the writer offloads their flashes of brilliance wrapped up in the kind of deft wordplay that Stephanie Meyer would sell her kidneys for.

It’s understandable – humans are visual creatures and we describe what we see in order for our world to make sense both to us, and to others.

We sometimes remember to include sound, which is handy since noise, or the lack thereof, helps to define our experience of our surroundings.

Subjective smells

Smell gets a bit of a raw deal and is often forgotten. I suspect this may be because smell is somewhat more subjective.

What smells like floor cleaner to me might smell like peach Melba to you. I might sniff that bottle of milk and gag at the stench of milk blossoming into rancid cheese, whereas you might still think it smells OK. It’s merely ‘a bit strong’.

Something I have never smelled

Not only that, but you might shy away from trying to describe a smell for fear of sounding like an over-enthusiastic wine buff. What if your reader has never smelled whatever it is you’re describing?

We can usually visualise an approximation of a scene based on descriptions, and even if we’re slightly wrong, whatever we’ve imagined will still suit the author’s purpose.

Yet the inclusion of smell hints at a very defined mental image, one that has been sculpted and honed with the precision of a Renaissance master.

And if you get it wrong…you’ve missed the mark by several miles as your reader puts down your book and goes off in search of a Dan Brown.

What smell can do for you!

The trouble with smell is it’s often better experienced than described. It’s a shame, because smell has the potential to help create strong scenes in a way that sight and sound simply can’t.

Say you have a character who doesn’t take care of himself. We shall cast this man as a creepy caretaker who skulks around his workplace leaving a trail of dirty mop prints. One night, our diligent protagonist runs into him after staying late at school.

Sure, you could describe lank hair, greasy skin or tattered overalls in desperate need of repair, but that’s been done to death. Thinking of an original visual image is a little more difficult in our postmodern age.

So how about we lose the physical description, and instead mention the odour of stale sweat that follows him around?

Maybe he leaves the smell of ‘wet dog’ in his wake. If you want to hint at his nocturnal proclivities, you simply add the essence of ‘damp earth’. Et voilà, a heady perfume that tells us more about this man than reams of physical description ever could.

The smell can even trigger a memory in our plucky hero of a previous encounter with the villainous rotter. Tell us the smell, and the mind will infer the rest.

Breathe in

So if you feel that your prose is a little flat, or you want to make your descriptions different from the hackneyed clichés that abound in fiction, I’d really recommend experimenting with smell.

It is a rich and varied world out there – all we have to do is breathe it in.

Image: mattwi1s0n

Share your thoughts

What a niff! Do you use smell in writing or are you guilty of neglecting some of your senses? Got any examples of great stinky fiction? We want to know – leave your thoughts in the comments section below.

Subscribe for free!

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

10

What to do when you’re… waiting

30 September 2010

Watch this episode on Vimeo

Writers are excellent waiters. We have to be. It’s part of our job description.

In one way or another we scribes often find ourselves in a state of anticipation, whether we’re waiting to hear back from a prospective literary agent or on tenterhooks about feedback regarding the latest article we submitted to Whatever! magazine.

That’s exactly the position I find myself in at the moment. And it’s fine, you know. I’m a writer. I’m used to waiting. It happens to all of us.

Hmm. Now what?

So what do we do with our time? What are our options when it comes to filling the gaps between writing projects, or the stop-start process of a long piece of work?

In this episode I come up with a few suggestions. I also end up with a red mark across the middle of my chin.

Share your thoughts

What do you do when you’re waiting at the end of a writing project? Move on to the next one? Learn to play the kazoo? Tell us your waiting story in the comments section below and help us fill our writerly gaps. So to speak.

Subscribe for free!

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

41

6 things you can stick in your ears to improve your writing

28 September 2010

There are many things us writers can do to tinker with our writing environment. We can write at a different time of day or we can use a different piece of writing software. The options are endless.

But I like to stick things my ears. And I’ll tell you why.

I live in a small cottage that has exceptionally thick walls, but ludicrously thin ceilings. That means that when another person is doing something – whatever it is – you pretty much know about it.

Here’s a list of sounds that make it hard to concentrate: talking on the phone, talking to a person in real life, watching the television, watching Desperate Housewives on the television, using a sewing machine, singing while cooking.

These are all perfectly legitimate activities in one’s own home. But when you’re trying to write, the noise from elsewhere can be distracting.

So I stick things in my ears.

More than muffling

Now I know that opening gambit implies that the only reason to stick things in your ears is to shut yourself away from the world. And that’s fine. My list covers that.

But actually, there are things you can stick in your ears that can seriously improve your writing in other ways too. And for reasons you might not expect.

1. Earplugs

Pretty straightforward considering what I’ve said so far in this post. But there’s more to it than you’d think.

Earplugs cancel out sound, that much is correct. However, they also transport you to another world. The world inside your head. You can almost hear yourself think. It’s mental.

Wearing earplugs is like being underwater. You can hear the faintest of sounds in the distance, but you can’t make them out. And you don’t care what they are because you’re lost in the moment. You’re somewhere else.

And that’s good for writing. Sometimes, even if I’m on my own when I sit down to write, I still stick earplugs in my ears just to get that sensation. True story.

2. Headphones (music)

A lot of people listen to music when they are writing. They say it helps them relax and allows them to focus. Other writers say the exact opposite.

I’m somewhere inbetween. While I’m pretty sure I wouldn’t be able to write while listening to Megadeth or something else that’s suitably shouty, I’m quite capable of pumping out the words to a little Fionn Regan, Bon Iver or even The National.

If you’re not sure what you can handle, go with something ambient and instrumental, like Nightmares on Wax or Röyksopp. You can even pretend you like listening to classical music, if you like.

3. Headphones (audiobooks/podcasts)

You have to be a special kind of nutcase to be able to write effectively while listening to spoken word, but I believe it’s possible. Not by me, but certainly by some lunatics.

However, if you’re normal and can’t listen to words while writing them, you should still be listening to audiobooks and podcasts as a matter of course. Especially podcasts.

I can hugely recommend The Guardian’s range of writing-related podcasts, including the Books podcast, Front Row podcast and Digested Read. I also rather like the fiction podcast from the New Yorker. All very good.

In terms of podcasts from blogs, we have our very own right here on Write for Your Life, and I know Joanna Penn runs one on her site, The Creative Penn. Then there’s the Grammar Girl podcast too.

Writer Unboxed has some good tips if you’d like to create your own podcast.

4. Cotton Wool

You know that wonderful underwater sensation I described when i talked about sticking earplugs in your ears? Cotton wool is like that, only not quite as good.

It’s more children’s paddling pool than river glistening in the sun on a hot summer’s day. But still.

5. Your fingers

I know what you’re thinking. If you stick your fingers in your ears, you will not be able to hear the din from downstairs, but your ability to type might somewhat suffer too.

You’re absolutely right.

However, what if you didn’t need your fingers to type? What if you tried using some of this newfangled voice-to-text software that used to be absolutely useless but is now much, much better?

Then you could stick your fingers in your ears. You wouldn’t have to. But you could.

6. The sound of your own voice

You don’t have to be a complete egotistical maniac to be a good writer, but it helps.

Everyone talks about how you should read your work out loud to improve the rhythm of your writing and listen for problems. Heck, even I’ve suggested it for bloggers – although that was specifically reading to an audience.

Seriously though, how many of you actually record yourself doing it? Reading your writing, that is. It’s good to read out loud, but you’re effectively doing two things at once. Reading and listening.

Here’s a suggestion. Why not record your reading, then stick it in your ears and listen to it later? That will makes the whole process a whole lot easier, including the bit where you work out what could be improved.

What do you stick in your ears?

If you think post is a bit silly and rather tongue-in-cheek, you’re correctomundo. But the truth is, we’re hugely affected by our writing environment and it’s important that we experiment and get it spot on.

Come on, I must have missed a few things. What’s your writing environment? How do you block out the noise? What’s your favourite podcast? Let us know in the comments section below.

Image: Hello Turkey Toe

Subscribe for free!

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

14

How many writers does it take to change a light bulb?

21 September 2010

I’ll provide my answer to the title of this post later, but you’ll probably work it out by the end of the next sentence. I think it’s high time that more writers – actually, all writers – took responsibility for their writing.

My first (proper) post on Write for Your Life looked at the concept of the muse. I suggested, a little controversially it turned out, that we writers can be tempted to hide behind this mythical being when things are going wrong – and others agree with me.

But that’s just one of our excuses. Us writers have many more and we’re not afraid to use them. From ‘You obviously didn’t read it properly,’ to the worryingly sex-based-sounding, ‘I’m just not in the mood.’

The writer’s social paradox

The truth is, the craft of writing can sometimes be a very solitary pursuit. And I think that can get to us. It affects our judgement and we naturally look for reasons outside our little writing bubble as to why there are problems at its centre.

Mostly, that’s fine. It’s okay to get grumpy from time to time. Being a writer, well, it can be tough. And I see no problem whatsoever in having the occasional whinge to your partner, a friend, your agent or editor. That’s what they’re there for.

But in the end, you can only complain so much. In the end, you have to return to your bubble, as Joanna Paterson rightly describes it, and face the facts. You are, essentially, alone with your prose. You make the decisions. Your problems are your responsibility.

How to take responsibility for your writing

There are three things that I have to constantly remind myself to do as a writer. They are extremely simple, but all play a vital role in allowing me to take responsibility for my own writing.

And notice I use the phrase constantly. When you’re finding things tough, it’s easy to forget the basics. Before you know it, your grumpiness overwhelms you and the excuses come thick and fast.

Anyway – those three things.

Take all feedback and advice seriously

Most of us ask for and receive feedback on our writing, particularly if we’re having a tough time and we’re unsure about something.

If you ask someone for feedback, even if you wholeheartedly disagree with how what they say, take it seriously. At the very least, put it in a drawer, then come back to it when you’re in a better frame of mind.

I remember one absolute stinker of a response from a tutor on my MA course. It was clear that they hadn’t read my novel past 50 pages and some of the remarks were personal.

I was fuming and ignored the feedback outright. Looking back, there were one or two comments I should have taken on board. But because most of the criticism was inaccurate or downright offensive, I dismissed it completely.

I should have owned that feedback, accepted it as part of the process of writing a novel. I should have taken responsibility.

Have some humility

As Nicola Morgan noted recently, one of the reasons some writers tend not to get published is their extraordinary lack of humility. Some writers, I’m afraid, are deluded about their ability. And they will never improve.

Writers who have humility are aware of their shortcomings and open to feedback. They listen to others and take advice in the right way. When things go wrong, they try to find out why. When things go right, they celebrate accordingly.

Then they get back to work.

Above all, humility allows you to become a better writer. If you can strike that balance between striving to improve and having confidence in your writing, you’re on to a winner. You’re in control.

Be proud of, and own, your success

Finally, don’t be afraid to get all giddy if you have success with your writing. That’s what you’ve worked for.

If you take responsibility for your writing when things are going badly, and you make difficult decisions along the way, then you should be able to give yourself a pat on the back when it all comes to fruition.

And of course, then get back to work. Sorry.

So to answer my question

As you’ve probably figured out, in my opinion, it takes just one writer to change a light bulb. Sure, you can get your pals, your partner or your significant literary other to hold the ladder, but only you can do the dirty work.

In the end, it’s about being responsible for the creative process. In good times and in bad. You’re the writer. No one else.

Share your thoughts

So what do you think? Am I simplifying things a little too much? Is there a detail that I haven’t considered? Or do you think writing is more of a collaborative process these days? Let me know in the comments!

7

Hey writers, it’s time to take a break from technology!

16 September 2010

Watch this episode on Vimeo

Goodness gracious me. When you work flat out on your writing for a significant period of time, or just work flat out in general, how easy it is to forget about the benefits of taking a break.

That’s what I did last week. I went to France and lived in a windmill for seven whole days. It was bliss.

It was fantastic partly because hey, I was staying in a windmill in France, but also because I decided to leave all technology behind. The only thing I took was my phone, which was used exclusively for music and the occasional game of Scrabble.

The effect of taking a complete break from technology (via Practical Opacity) was more dramatic than I expected. And in this episode I implore you to do the same.

Let me know what you think in the comments section below.

Subscribe for free!

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox? Or if you’d prefer updates via RSS, that’s totally cool beans too.

26

Forget your distress and focus on your writing

14 September 2010

Earlier today I was reading an article on The Guardian’s website about the Booker Prize shortlist. It was written by Andrew Motion, the UK’s previous poet laureate and head of this year’s Booker judging panel.

I was struck by the following:

Too many publishers publish too much. Not nearly enough novels get the editing they need. Some novels are so clearly manifestations of distress, they might be better described as “a frieze of misery” (in Larkin’s phrase) than a work of fiction.

It’s that last sentence that caught my attention. The notion that even when authors are at the stage where they are being considered for the Booker longlist, they can still get distracted by their own ‘distress’, as Motion puts it.

It made me think back to one of the best writing lessons I ever learned. Let me tell you about it.

The need for distance

When I was 19 years old, someone I knew from school went on holiday with his mates, got drunk and died falling from a balcony.

Though I’d played football with him for years, I wasn’t part of his immediate friendship group. But it still affected me. It seemed like such a tragedy and, being a budding young scribe, I decided to write about how I was feeling.

I submitted the resulting poem as part of my first draft undergraduate portfolio. I spent a lot of time on it and remember thinking, ‘This is what writing is about. Passion. Emotion. Goodness me, this is brilliant.’

Unfortunately, my tutor didn’t agree. In fact, he singled it out as being by far the worst piece of writing in my collection and asked me what the poem was about. So I told him the story.

My tutor’s reply went something like this:

Unless you absolutely know what you’re doing, and you can distance yourself from the subject, avoid writing about events that have affected you emotionally, especially so soon after they’ve taken place.

At the time I was mortified. I was upset about what had happened to my kind-of-friend and my poem meant a lot to me. And of course, that was the problem.

I was so caught up in the moment, so desperate to express how I felt, that I forgot to focus on the writing. I had no distance whatsoever.

10 years later…

As regular Write for Your Life readers may know, I’ve been doing a little editing on my novel these past few months. Sadly, during that time I also lost my (awesome) auntie to an unexpected and pretty horrendous bout of cancer.

One minute she was fine. Four months later she was gone. And naturally, being a writer, I wanted to write about it.

I’m not one for diaries and journals and the like, and I knew I couldn’t embark on a new project while I was busy editing my novel ready to send to my agent.

So I found myself stuck. I wanted to write about my ‘distress’ and I wanted to do it now, while it was fresh. But I had no obvious outlet.

I thought about what my tutor had said all those years ago. What I realised was this.

I didn’t need to write a long personal piece, short story or, god forbid these days, a poem. I just needed a line or two. A gesture.

But more importantly, it had to work as a piece of writing. So I turned to my novel.

The following is what I wrote. It closes the penultimate chapter and slots neatly into the plot. It’s not sentimental (far from it!), but it means something to me.

Oh, and Georgina is a character. She’s been ill throughout the novel. She’s not a real person.

Here it is:

I open the box by pushing one end, take out a match and strike it. There is a spark and a flicker of life. Then it settles. Glows amber and red in my fingers.
I pause to think of Georgina.
I picture her in hospital. Dying in a care home.
And hope that God intervenes.

And that’s it. It’s all I needed.

Of course, I was lucky (in a bizarre, writerly way) that my distress tied in loosely with events in my novel, but that’s not the point.

When all my writer’s instincts told me it was time to let my emotions pour on to the page, I showed restraint.

I was able to step back and remember: it’s not about the writer, it’s about the writing.

So what should you do with your distress?

Now, let’s be clear. I’m not saying that you should’t write about traumatic events in your life. That’s just silly. Lots of great fiction has come from trauma.

What I am saying though, is write objectively. Don’t get tangled up in the emotional mire and let your standards slip.

Create some distance. Focus on your writing.

If you do decide to write about your distress, think about how much you share.

Do you need to go into detail? Could you do the job in a single turn of phrase or by passing reference? Can you work the experience into a broader narrative?

Because in the end, it’s the story that matters. Your characters and the way you manoeuvre them around the page.

What doesn’t matter, I’m afraid, is you. And certainly not your feelings. Sniff.

Image: Arwen Abendstern

Share your thoughts

Over to you, dear readers. Do you agree that it’s easy to take the eye off the writer’s ball if you’re all jazzed up with emotion? Or do distress and trauma provide too much of a temptation to ignore? Let me know what you think in the comments section below.

Subscribe for free

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox?

25

Self-publishing and ebooks do not create a level playing field for writers

27 August 2010

It’s all kicking off in the world of self-publishing and ebooks.

The Kindle is now very affordable and the iPad is like the sexiest book in the world apart from a real sexy book that’s littered with filth and stinky sex talk. The times, quite frankly, are a-changing.

And I’m down with that. I really am.

In fact, I want to make it clear that this episode is in no way intended as an anti-self-publishing diatribe or a whistful longing for tradition. No. It’s about technology and pragmatism. That’s all.

Let’s get real

It’s hard to move around the blogosphere and Twitterverse without bumping into some post or another about the rise of ebooks and the changes taking place in the publishing industry.

I picked out a couple of articles on my other (brilliant, go and subscribe) blog, Broomeshtick.

Writing for Newsweek, in an article called Self-publishing: Who needs a publisher anymore?, Isia Jasiewicz quoted author, J.A. Konrath as saying:

“It’s an even playing field for the first time,” says J. A. Konrath, a thriller author (Whiskey Sour) who plans to release all his future novels as self-published Kindle books. “The gatekeepers have become who they should have been in the first place: the readers.”

And that phrase jumped out at me – level playing field – because it’s one I’ve heard a few times over the last couple of years as the e-revolution has gathered momentum.

This was my response:

I’m sorry, but I don’t think it’s an even playing field at all. It’s only even if all writers have the technical will, knowhow and time to transform their manuscript into a sexy PDF. And then market the hell out of it. Some people, you know. Some people just want to write.

And I stand by it. In the UK we have 10 million people who still don’t have internet access. Of course, most of those are likely to be elderly, living in difficult circumstances or simply not interested.

But I bet some of them are writers.

My point is this: a level playing field is a place or environment where no one person or group of people has an advantage. In the world of e-publishing, e-people have an advantage. And a huge headstart.

The came Seth

You may have heard, but marketing guru and he-of-extremely-shiny-head-fame, Seth Godin, decided this week to only publish ebooks from now on.

Everyone was, and still is, talking about it and making some very good points. But my favourite article was this one: Publishing is dead, long live publishing by Shiv Singh on Going Social Now.

Here’s what he wrote:

Time will tell whether other leading authors adopt a similar model [as Seth Godin]. For an author, nothing is better than being able to get closer to your reader. The question is whether this model will work and whether other authors have the personal brand, the distribution platform and most importantly the courage to try something like this. I’d argue that if book publishers followed the model I outlined in this deck, they’d be less worried about what’s happening around them.

Leaving aside the fact that Seth Godin has a huge audience and the kind of platform that the rest of us can only dream of, I responded to Shiv’s article by saying:

There’s been an awful lot of fuss made about Seth Godin deciding to go digital only. In fact, advocates for self-publishing have been completely cock-a-hoop about it, heralding the move as some kind of tipping point for the publishing industry.

This article by Shiv Singh on Going Social Now brings a bit of sanity to proceedings, while still recognising Godin’s decision as significant, which I think it is.

However, for the overwhelming majority of writers, self-publishing ebooks creates more obstacles than clears paths.

Far from create the proverbial ‘level playing field’, it generates a whole new set of skills, both writing-related and technical, that the writer must have.

And that’s fine. One day we’ll all have those skills. Writers will know how to create a PDF. They’ll know how to set up a blog. They’ll know how to market their work through social media.

But this is a time of change. For the moment, we are learning. And we are not Seth Godin.

Which led me to this

So with all this in mind, I decided to talk a little more about this subject in this week’s episode. It’s a really interesting area and I think we should all be excited about what’s happening.

As I say at the end of this video, I think we online writers, those of us who already have technology as part of our everyday writing lives, have a responsiblity to help those writers who don’t.

Only then, when we’re all equipped with the necessary techno-knowledge, can we think about calling the playing field, or whatever the metaphor might be, level.

Share your thoughts

So what do you think? Does it matter that so many writers are ill-equipped to deal with the changing industry? How are you prepared for a world of e-everything? Let us know in the comments section!

Subscribe for free!

If you’re enjoying your time here on Write for Your Life, why not subscribe for free and get new posts delivered straight to your inbox?